A love letter to contemporary buildings and a fantastic account of recent British history, rich in humour.’
NINA STIBBE on ICONICON

‘The best history of the intersection of post-war architecture and politics (often with a small ‘p’) that you could hope for.’
OWEN HATHERLEY on CONCRETOPIA

‘Illuminating and enjoyable . . . what truly lifts it is the personal element, above all Grindrod’s portrayal of family life.’
DAVID KYNASTON on OUTSKIRTS